YNNU
Heaviest (and by far the coolest) university logo I have ever seen. It's like some sort of post-apocalyptic symbol. And probably not far off. Result of a relocation and merger between three Chinese universities after the anti-Japanese War broke out in 1937. Yunnan Normal University, Kunming China. Late June, 2015.
vellum
One day I will run some odd stock / material through the printer and it will jam it good. But today is not that day. My preferred method is to set the printer up with whatever weird material you want it to print on / hit print / and look away
machine god
In the parable ‘The Madman’ Frederich Nietzsche suggested that, “god is dead” , “we have killed him” and then asks, “must we ourselves not become gods simply to appear worthy of [the murder]”. Phil Aitken says we didn’t have it in us. Harari said the same. Instead we “built a reliance on the machine
on doubt
sometimes i wonder / what i am actually doing here / like how did i get this position / this role / this right / this responsibility / hey check me out / all propped up here / the / supposed sage on stage / If that's what this is / all embodied knowledge / and advice / and correct path through life
it means little
That letter A has been designed then cut by laser into a steel hydrant booster box. And degraded by time. That letter is one of many that form languages. Constructed to record / express our experience. Typography endows that language with a durable visual form. But our durability has always been in question.
assange
This is the image - in full - that I used in the circuit breaker poster and it is also sitting behind the 'darkside' triangle / moon. I shot this on Ann Street in Brisbane. I can see Julian Assange in there but have yet to work out who the main figure is
more time
People suffer deeply when time is divided up / into rigid segments / mathematical management / focussed on efficiency / and productivity / and this relentless chase for constant growth and hey really it is / just a chase for more /// profit
darkside
It is just a really small section of an image running through the inside a three simple shapes (one you can barely see) and printed onto canvas paper. And there was something about the result and the process I went through to get there that captivated me
kraftwerk
I came across two things pretty much in the one hit - kraft paper - and that crumpled up paper method method of displaying a piece of work
on inspiration
There is this epic idea that you have used inspiration well when you can hold up all your inspiration next to your work and be comfortable saying to someone, "hey this is what I created and this is what inspired me". If you are not comfortable doing that then your work is too close
Sym/etry
This was the too literal / no mystery / no nuance / actually looks too much like something outcome from the balance through symmetry exercise. I wasn't into it. But did love the process
Indesign is Sexy
This was me working on the 'Circuit Breaker' poster. Indesign is sexy. All those lines and visuals and mysterious instruments and controls. Like a fighter pilots' cockpit
No Movement
The line, "there is no movement right now" is designer Chris Ashworth. So too is the technique I am playing with. I was creating a background that I later put into Indesign and embedded type over the top. The technique is super raw and the line from Chris is actually a call to action
on mixed methods
A series of zine style pieces I pulled together whilst - and also as part of - working on one of the co-created / mixed-methods / spoken word / art pieces focussed on technology and privacy I think I simply titled, 'run'
Zines Will Never Die
In an age where paper and print and the future of books is called into question - zines endure. Handmade high weirdness. Chaos and edge. The stuff that has impact and the stuff that truly lasts has always been strange
future mechanism
If I had of created this using Illustrator and Indesign and no inspiration from anywhere but within my own tweaked mind I would have been ecstatic