I was lucky enough to spend time at Byron Art School this year studying printmaking with Travis Patterson. Amazing place. Amazing teacher. Amazing technique. Printmaking is super slow. Messy. Intimate. Complex. Inefficient. You could spend days in here, not get
I was playing with collage in PS and this was one of those ones where I just went too far. I was throwing images randomly on top of each other and blending layers with zero thought. Close to zero technique
I was asked recently what we should be trying to chase in our graduates. And I paraphrased and built on Andrzej Klesyk's line when I answered, "we are looking for honest, courageous independent thinkers who can deal with the
Ursula Edgington responds to both jason harding and Jean Rath. Poetic Inquiry Workshop. New Zealand 2019. Start point being the spoken word piece on technology and teaching titled, 'Who Are These People?'
I did an observational drawing workshop with Belle Bassin in Mullumbimby early this year. She's epic. The reason I like this sketch is because of the constraints she put me under and the paradoxical relief and freedom I felt.
The latest edition of So Fi Zine is out now. So Fi is an indie publication for sociological fiction, poetry, visual art, and other creative work. Edition #8 was released on December 30, 2020 and was inspired by Ruha Benjamin’s
A series of images I captured whilst it was raining. Shot from inside the car. With the wipers turned off. Different locations. Some in the city. Some down around the Northern New South Wales coastline. Just a spur of the