etched
In our minds. It was the plate for the exile print + piece of writing. "Etched in our minds" was the first note i ever wrote down on printmaking. And i never knew printmakers destroyed their plates after they had
invitations
This ⎮ is your invitation ⎮ to revisit ⎮ to reimagine ⎮ refashion ⎮ remake ⎮ and if not now then when? ⎮ cling to the status quo risk ⎮ having your hand forced ⎮ by something far grander than
so fi nine
Inspired by Sujatha Fernandes’ work on the political economy of storytelling, this edition - launched on June 28, 2021 - brings you new sociological short stories, poems, and visual art
noise
in a world filled with people shouting ⎮ often ⎮ look at me ⎮ the ability to craft and deliver an honest and authentic and altruistic story ⎮ that is not only truly heard ⎮ but has lasting positive impact
bsa
I was lucky enough to spend time at Byron Art School this year studying printmaking with Travis Patterson. Amazing place. Amazing teacher. Amazing technique. Printmaking is super slow. Messy. Intimate. Complex. Inefficient. You could spend days in here, not get
higher exile
I was playing with collage in PS and this was one of those ones where I just went too far. I was throwing images randomly on top of each other and blending layers with zero thought. Close to zero technique
Unknowns
I was asked recently what we should be trying to chase in our graduates. And I paraphrased and built on Andrzej Klesyk's line when I answered, "we are looking for honest, courageous independent thinkers who can deal with the
Same Water
A time limited response (5 minutes maximum) to Jean Rath and Ursula Edgington and a possible conclusion to a session of poetic inquiry on technology and higher education
Ursula Responds
Ursula Edgington responds to both jason harding and Jean Rath. Poetic Inquiry Workshop. New Zealand 2019. Start point being the spoken word piece on technology and teaching titled, 'Who Are These People?'
Left
I did a super short observational drawing workshop with Belle Bassin in Mullum early this year. She's epic. I like this sketch because of the constraints she put me under and the paradoxical relief and freedom I felt. 5